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Manhattan on Thames Manhattan on Thames

Julian Sansum

Manhattan on Thames

Year: 2025 Medium: Archival Giclee Print Size: 153.5 cm x 77 cm This Print and this Certificate are each certified through a hologram carrying a unique number.  This Archival Giclee Print is part of a limited edition of 25 153.5 x 77 cm prints plus one artist’s proof all signed by the artist. The artist reserves the right to use the image in other forms of media, including but not limited to online, competitions and books of collections. Released in March 2025 on Hahnemuhle PhotoRag Metallic 340 gsm paper. Printed using pigment ink from Canon on a Canon printer. In the artists words: I hadn’t intended to take this photo. I had intended to take a photo of St Paul’s and the City of London from the viewpoint in Greenwich Park. There are eight protected views of St Paul’s Cathedral in London. These are enshrined in law and are generally small hills where there has been a direct view of St Paul’s for many years. Nothing it allowed to be constructed in front of St Paul’s on the sight line (albeit if you go to Richmond Park you will notice a building was constructed in the Olympic Park area miles behind St Paul’s which does spoil that view somewhat). As I walked towards the St Paul’s viewpoint I couldn’t help but notice the incredible view of the ‘new city’ or the Manhattan on Thames that has been constructed in Docklands. It completely blew me away. I then realised that I could make an interested scene by including the old Royal Naval College, Greenwich, in the foreground. I wanted to blow this up as large as possible and found the metallic paper best showed off the office towers in the background. I took multiple exposures and merged them for the best detail. I stood on the Greenwich Meridian to take this, one foot on either side of the metallic line placed outside the old observatory. I would love to tell you that the whole picture is bisected by the meridian and based on the placement of the line I thought that would be the case, however when I checked the maps it appears the line is misleading and doesn’t point at the centre of my photo, instead it forms a boundary on the right hand side.

Regular price £2,850.00
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Billions of Bricks - Julian Sansum Billions of Bricks - Julian Sansum

Julian Sansum

Billions of Bricks - Julian Sansum

Year: 2024 Medium:  Archival Giclee Print Size:  A2 42cm x 59.4cm, 16.5 x 23.4 inchesThis Print and this Certificate are each certified through a hologram carrying a unique number.This Archival Giclee Print is part of a limited edition of 25 A2 prints plus one artist’s proof all signed by the artist. The artist reserves the right to use the image in other forms of media, including but not limited to online, competitions and books of collections.Released in March 2025 on Hahnemuhle FineArt Baryta Satin 300 gsm paper. Printed using pigment ink from Canon on a Canon printer. In the artists words: This is the Ouse Valley Viaduct just north of Brighton. I’m not the first to take a photo here and won’t be the last. However, most photos I had seen were really flat. I wanted to see if it was possible to create a 3D effect where you really get drawn in to the photo. On the day of my visit the weather was terrible. Overcast skies and drizzle. I assumed it would be difficult to get a decent photo. Also there was a large scaffold over about a quarter of the viaduct and I wasn’t sure if that would mess things up too. I tried setting up in numerous positions between different arches and eventually settled for one as far back from the opposite end as possible just in front of the scaffold. This appears to have been the optimum spot. I took numerous photos using various different focus points and camera settings. At home I blended a set of photos that I thought had the most promise and when combined they really popped. Next was to select a great paper. I like the Hahnemuhle range of papers and found the Hahnemuhle FineArt Baryta Satin 300 gsm really helped to bring the colours out and also create a more painterly effect. To finish it off I worked with a framer to create a frame with a 3d pop. With all four elements combined (taking the photo, working on the photo on the computer, printing and framing) it gives a great overall effect. Combine it with the 5th key element, lighting, and you can really lose yourself in the work.

Regular price £1,100.00
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Taking a Long View of the Regatta - Julian Sansum Taking a Long View of the Regatta - Julian Sansum

Julian Sansum

Taking a Long View of the Regatta - Julian Sansum

Year:   2023 Medium:   Archival Giclee Print Size:   A2 42cm x 59.4cm, 16.5 x 23.4 inchesThis Print and this Certificate are each certified through a hologram carrying a unique number.This Archival Giclee Print is part of a limited edition of 25 A2 prints plus one artist’s proof all signed by the artist. The artist reserves the right to use the image in other forms of media, including but not limited to online, competitions and books of collections.Released in March 2025 on Hahnemuhle PhotoRag Metallic 340 gsm paper. Printed using pigment ink from Canon on a Canon printer. In the artists words: This was my first photo that I thought could potentially grace a gallery wall. It took a bit of planning… In the photo you see the Henley regatta course. I decided to take a photo of the qualifying events because there are far more rowing boats on the course. On race day there would be a maximum of four boats in two races on the course at once. I had often stood on Henley Bridge looking down the regatta course in the opposite direction to this. I noticed a hill that appeared to have the full view of the course at the opposite end. I tried getting close to the spot on various footpaths but couldn’t see down the course properly. In the end I found out who the landowner was and asked permission to go on his land. It was lucky that I did because no more than 5 minutes after I got in to position an off road vehicle turned up with a couple of large gentlemen on board who were keen to enquire as to my business being there! The regatta course is a couple of kilometres long and I wanted to create a real sense of perspective. I was standing about two kilometres from the bottom edge of the photo. I tried various lenses and settled on using an 800mm focal length. That has the effect of bringing everything in the picture much closer. I had to take this as a single shot because the boats were moving pretty quickly. The sky was really bright so I ramped up the shutter speed to try to remove some of the glare. It left a really nice painterly feel. Looking at the picture St Mary’s church tower clearly stands out. That’s about 4.5km from where I stood. You will notice a lot of trees that appear to surround the church. If you go and visit Henley there are no such trees anywhere near the church. My working assumption is that they are part of Harpsden woods which is another few kilometres behind the church. So overall I think this picture has a range of say 6-7km. On initial inspection the photo looks like it could have been taken 100 years ago. I have left some clues as to its real age… take a look at the top just in front of the church and you will notice a couple of modern cars!

Regular price £750.00
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Aurora over Henley-on-Thames - Julian Sansum Aurora over Henley-on-Thames - Julian Sansum

Julian Sansum

Aurora over Henley-on-Thames - Julian Sansum

Year:  2024 Medium:  Archival Giclee Print Size:   A2 42cm x 59.4cm, 16.5 x 23.4 inches This Print and this Certificate are each certified through a hologram carrying a unique number. This Archival Giclee Print is part of a limited edition of 100 A2 prints plus one artist’s proof all signed by the artist. The artist reserves the right to use the image in other forms of media, including but not limited to online, competitions and books of collections. Released in March 2025 on Hahnemuhle FineArt Baryta Satin 300 gsm paper. Printed using pigment ink from Canon on a Canon printer. In the artists words: On 10 May 2024 I received a WhatsApp from a friend. An aurora was forecast over the south of England. Now I get quite a few of these and they generally turn out to be nothing so I had low expectations when I pulled out various apps that seek to forecast this type of event. Well, the apps were very positive and the aurora was expected to be strongest from 2330-0030 so it wasn’t too late and it was a Friday so I thought it was worth a try. Getting a photo of an aurora is one thing but it can be much more powerful if you can have something recognisable in the photo. Temple Island on the Thames in Henley is really beautiful. I realised that the aurora was forecast to be in the west so if I stood on the east bank of the Thames I had a chance to get the Temple in the foreground and the aurora in the background. I wandered down the river just after 2300 and headed for Temple Island. I noticed that the Temple was lit up. I hadn’t expected that and it would likely mess up the photo because I would need a slow shutter speed to capture the aurora at it’s best but if I did that the lights would be so bright as to overwhelm the Temple. I could see the aurora overhead and a mess of colours and took a couple of quick sighting shots. As a landscape photographer you learn to take a few photos quickly when the light is good because it can change really fast. The shots were OK but not great. I then really stared at the aurora and, as my eyes adjusted and I walked further down the river, I noticed that the aurora appeared to be pointing down at the Temple. By carefully moving a few steps to the side I could hide all but one light from the picture. The lights were still causing a few issues but the aurora was so bright that I only used a 1 second exposure and this was enough to pull out the colours. On the computer we were able to dampen down the lights a bit and give the overall impression that it is the aurora lighting the Temple. The reflection on the calm river was a bonus. If you look really closely you see some white specs. They are not dust on the lens or photo but stars. The evening was super clear. I’ve checked the star charts and I think the big dipper is visible through the aurora directly above the Temple.

Regular price £750.00
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Praying Monk - Kerry James Baldwin Praying Monk - Kerry James Baldwin
Medicine Men - Kerry James Baldwin Medicine Men - Kerry James Baldwin
Regular price £10,350.00
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Desert Dwellers - Kerry James Baldwin Desert Dwellers - Kerry James Baldwin