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Richard Scott
Red Sky - Richard Scott
Price on Request Original, Mixed Media on Canvas Unframed Size: 100 x 100 cm
Kevin's Other Girl - Richard Scott
Cyan Tree - Richard Scott
Price on Request Original, Mixed Media on Canvas Unframed Size: 75 x 74 cm
Red Cat - Richard Scott
Price on Request Original, Mixed Media on Canvas Unframed Size: 30 x 30 cm
Purple Cat - Richard Scott
Wonder Woman - Richard Scott
Timmy Mallett
Sunflower Magic - Timmy Mallett
Original, Oil on Canvas Size: 58 x 52 cmFramed
Summer Radiance - Timmy Mallett
Original, Oil on Canvas Size: 58 x 53 cmFramed
Summer Flowers - Timmy Mallett
Original, Oil on Canvas Size: 47 x 52 cmFramed
Springtime at the Bodleian - Timmy Mallett
Original, Oil on Canvas Size: 47 x 55 cmFramed
Rutland Water - Timmy Mallett
Original, Oil on Canvas Size: 68 x 58 cmFramed
Avenue of Trees - Timmy Mallett
Original, Oil on Canvas Size: 30 x 100 cmFramed
Red Cliffs - Timmy Mallett
Original, Oil on Canvas Size: 84 x 54 cmFramed
Path Through the Poppies - Timmy Mallett
Original, Oil on Canvas Size: 31 x 26 cmFramed
Pasture Breeze - Timmy Mallett
Original, Oil on Canvas Size: 57 x 53 cmFramed
Ocean Crash - Timmy Mallett
Original, Oil on Canvas Size: 120 x 150 cmFramed
Lady in Red - Timmy Mallett
Original, Oil on Canvas Size: 60 x 50 cmFramed
Heritage Sunset - Timmy Mallett
Original, Oil on Canvas Size: 108 x 50 cmFramed
Japanese Cherry Blossom - Timmy Mallett
Original, Oil on Canvas Size: 91 x 72 x 11.5 cmFramed
The Broads- Timmy Mallett
Original, Oil on Canvas Size: 61 x 31 cmFramed
Grand Union Canal - Timmy Mallett
Glastonbury at Dawn - Timmy Mallett
Catching The Sun - Timmy Mallett
Original, Oil on Canvas Size: 46 x 57 cmFramed
Buttercup Meadow - Timmy Mallett
Original, Oil on Canvas Size: 48 x 58 cmFramed
Bluebell Walk - Timmy Mallett
Original, Oil on Canvas Size: 83 x 74 cmFramed
Bluebell Splendour - Timmy Mallett
Original, Oil on Canvas Size: 76 x 66 cmFramed
At The Bar - Timmy Mallett
Original, Oil on Canvas Size: 75 x 66 cmFramed
Ayagarth Falls - Timmy Mallett
Original, Oil on Canvas Size: 61 x 61cmFramed
Original, Oil on Canvas Size: 84 x 74cmFramed
Sold out
Rachel Holmes
Still In Love With You - Rachel Holmes
Original, Acrylic on Canvas (rounded/bevelled canvas edges) Unframed Size: 122 x 91 cm
Monarch - Rachel Holmes
Original, Acrylic & Gold Leaf on Canvas Framed in a black floating frame Size: 83 x 83 cm (framed) Strong yet gentle. Stoic yet full of quiet warmth.He’s the kind of soul who stands steady through every storm, his eyes calm and watchful. Painted in the blackest black by Stuart Semple and adorned with gold leaf, he carries a sense of dignity and grace that can’t be hurried, can’t be shaken.Against the snow-covered mountains, his presence feels timeless — a reminder that true strength often speaks the softest. Part fine art, part abstract, Monarch is the 3rd piece in the popular Black and Gold series.
Sovereign - Rachel Holmes
Original, Acrylic & Gold Leaf on Canvas Framed in a black floating frame Size: 83 x 83 cm (framed) Sovereign captures the raw, untamed power of a galloping stallion, rendered in mesmerising contrast using Stuart Semple’s Blackest Black paint and radiant gold leaf. The horse bursts through a storm of shadows and gilded textures, its mane and tail flowing like wild flames across a moody, abstract background. Every muscle is defined with bold confidence, and the black pigment absorbs light to heighten the drama of motion. Flecks of gold shimmer through the chaos, symbolising strength, freedom, and majesty. This piece embodies the spirit of the untamed and the sovereign — a creature beholden to no reins.
Majesty - Rachel Holmes
Original, Acrylic & Gold Leaf on Canvas Framed in a black floating frame Size: 83 x 83 cm (Framed) A commanding portrait of power and poise, Majesty captures the soul of the lion through piercing eyes and intricate textures. Painted using Stuart Semple’s Blackest Black and adorned with luminous gold leaf, this piece explores the balance between shadow and brilliance — resilience forged in darkness, and strength that dares to shine. With bold brushstrokes and striking contrasts, Majesty evokes a sense of quiet intensity and untamed grace. The gilded layers reflect light differently from every angle, drawing the viewer into an emotional dialogue with the lion’s unbreakable spirit. This is not just a painting — it is a statement of courage, sovereignty, and the timeless beauty of inner power.
James Kerry Baldwin
Terra Machina - James Kerry Baldwin
Price on Request Mixed media on canvas Unframed Size: 2 x 89 x 116 cm
Wisdom of Trees - James Kerry Baldwin
Price on Request Acrylic, spray, ink and oils on canvas Unframed Size: 116 x 89 cm
Jen Allen
Steve McQueen - Jen Allen
Framed Size: 56cm x 56cm (22" x 22") Limited edition Giclee print Hand signed and numbered 8 of 20APCertificate of authenticity Jen Allen's personal copies of Hollywood ClassicsThese are Jen Allen’s personal copies of her Limited Edition Hollywood Classics Collection.These Artists Proof Limited-Edition prints are now SOLD OUT and can no longer be found elsewhere. The original paintings have long since been acquired by collectors.
Julian Sansum
The Devil’s Golf Course, Death Valley - Julian Sansum
Year: 2025 Medium: Archival Giclee Print Size: 120cm x 30cm This Print and this Certificate are each certified through a hologram carrying a unique number. This Archival Giclee Print is part of a limited edition of 25 1,200 mm x 600 mm prints plus one artist’s proof all signed by the artist. The artist reserves the right to use the image in other forms and other forms of media, including but not limited to online, competitions and books of collections. Released in 2025 on Hahnemuhle PhotoRag 308 gsm paper. Printed using pigment ink from Canon on a Canon printer. In the artists words: The Devil’s Golf Course is Death Valley humour used to describe one of the roughest tracts of land I have ever seen. It is bashed up salt pan and rock hard. You really wouldn’t want to fall over on it. This shot was taken near to Badwater Basin and you can just about make it out from the Dante’s View photo. It would be a great place to soak in the desolation and isolation of the centre of Death Valley as shown in this photo. But if I turned merely 90 degrees you would see motorhomes using the spot as a sneaky overnight spot as well as other visitors.
Old Ferrari Mondial - Julian Sansum
Year: 2025 Medium: Archival Giclee Print Size: 100cm x 66.7cm This Print and this Certificate are each certified through a hologram carrying a unique number. This Archival Giclee Print is part of a limited edition of 7 1,000 x 667 mm prints plus one artist’s proof all signed by the artist. The artist reserves the right to use the image in other forms and other forms of media, including but not limited to online, competitions and books of collections. Released in 2025 on Hahnemuhle William Turner 310 gsm paper with deckle edge and floating mount. Printed using pigment ink from Canon on a Canon printer. In the artists words: A friend of mine owns this lovely blue Ferrari Mondial. It is around 40 years old and apparently the only one of that model in that colour in the UK so he is often asked to take it to shows. I hunted around for a location and settled on the stunning Danesfield House who were happy to let us play around for a few minutes. We were fortunate that the wisteria was in bloom and this contrasts nicely with the car. Unlike some of my photos where I have more artistic licence, I colour matched this photo to the exact colour of the car. The framer suggested a really nice technique. We used the heavyweight William Turner paper and then the printer tore the edges to create a ‘deckle edge’. The framer then float mounted it in a large frame so it looks like it is suspended in the air. I think it looks great and is a different look to the Viper photo.
Wild Viper - Julian Sansum
Year: 2025 Medium: Archival Giclee Print Size: 108.9cm x 74.1cm This Print and this Certificate are each certified through a hologram carrying a unique number. This Archival Giclee Print is part of a limited edition of 7 108.9cm x 74.1cm prints plus one artist’s proof all signed by the artist. The artist reserves the right to use the image in other forms and other forms of media, including but not limited to online, competitions and books of collections. Released in 2025 on Hahnemuhle William Turner 310 gsm paper. Printed using pigment ink from Canon on a Canon printer. In the artists words: The gallery owner had use of this car for a week or so and decided we needed to get a nice picture. We took it out in to the Chiltern Hills and pulled it in to a field that I had found that had really nice yellow crops. Once there I noticed the yellow flowers and decided that would make a better picture so we manoeuvred the car to sit above them. There were some great clouds and I didn’t realise until after that a dramatic cloud had appeared directly over the car. The clouds were moving quickly so we got lucky on a few shots. We decided that this would look better with the sky de-saturated, ie in black and white rather than vivid blue. I also toned down the lemon yellow of the car to create something more moody… The final piece was to print it on the William Turner heavyweight paper. It like cries out menace in this picture.
Red Arrows - Julian Sansum
Year: 2025 Medium: Archival Giclee Print Size: 112cm x 81.5cm This Print and this Certificate are each certified through a hologram carrying a unique number. This Archival Giclee Print is part of a limited edition of 7 112cm x 81.5cm prints plus one artist’s proof all signed by the artist. The artist reserves the right to use the image in other forms and other forms of media, including but not limited to online, competitions and books of collections. Released in 2025 on Hahnemuhle FineArt Baryta Satin 300 gsm paper. Printed using pigment ink from Canon on a Canon printer. In the artists words: This was one of those ‘right place, right time’ shots. I knew the Red Arrows were due to fly past Henley during the regatta. I was entertaining guests at Phyllis Court Club but I had half an eye on the scheduled time for the flight. I had packed my camera with an appropriate lens and snuck off from my guests with 15 minutes to spare to try to find a decent spot. I found a slightly raised area that meant I could shoot over the heads of others. I set my camera up with a few minutes to go. Some of the others waiting for the flight started to murmur that flight had been put back a few minutes. I had noticed my battery was only 70% full so thought I might quickly change it when I heard a low rumble coming from down the river. It could have been some old boat but it got louder and then suddenly the Red Arrows appeared over the top of a line of trees in front of me. Reflexively I raised the camera and fired off a bunch of shots at 30 frames per second. Once they went past I spun around and got several more. I had about 10 shots where the Red Arrows fully filled the frame. Apparently it is rare to see the 10th plane in the formation, he often sits to one side. We have blown this up very large and it is about a square metre.
Pink Bricks - Julian Sansum
Year: 2025 Medium: Archival Giclee Print Size: A2 42cm x 59.4cm This Print and this Certificate are each certified through a hologram carrying a unique number. This Archival Giclee Print is part of a limited edition of 7 A2+ prints plus one artist’s proof all signed by the artist. The artist reserves the right to use the image in other forms and other forms of media, including but not limited to online, competitions and books of collections. Released in 2025 on Hahnemuhle FineArt Baryta Satin 300 gsm paper. Printed using pigment ink from Canon on a Canon printer. In the artists words: This is my first derivative from the original Billions of Bricks. I thought the work would look great with a fluoro pink vibe. The framer who had put together the parent work found a frame maker who could create paint effects in specific colours and they were able to enhance one of their hand painted deeply styled black wooden frames with flecks of paint in the same colour as the key areas of bricks.
Abandoned Dodge - Julian Sansum
Year: 2025 Medium: Archival Giclee Print Size: 70.1cm x 49.4cm This Print and this Certificate are each certified through a hologram carrying a unique number. This Archival Giclee Print is part of a limited edition of 25 prints plus one artist’s proof all signed by the artist. The artist reserves the right to use the image in other forms and other forms of media, including but not limited to online, competitions and books of collections. Released in 2025 on Hahnemuhle PhotoRag Metallic 340 gsm paper. Printed using pigment ink from Canon on a Canon printer. In the artists words: We found this sat outside a small café and museum which driving through the American South West. Upon close inspection it appears to be an old Dodge. I had to work hard to find an angle that excluded any modern paraphernalia and took this one crouched nearly on the ground. I used a metallic paper to enhance the old chrome elements and the framer did a great job to really nail down the metallic effect.
Rustic Cottage / Rusty Garage - Julian Sansum
Year: 2025 Medium: Archival Giclee Print Size: 90cm x 45cm This Print and this Certificate are each certified through a hologram carrying a unique number. This Archival Giclee Print is part of a limited edition of 25 prints plus one artist’s proof all signed by the artist. The artist reserves the right to use the image in other forms and other forms of media, including but not limited to online, competitions and books of collections. Released in 2025 on Hahnemuhle William Turner 310 gsm paper. Printed using pigment ink from Canon on a Canon printer. In the artists words: So, is it a garage or a cottage? Clearly it is an old garage but at 0530 in the morning I thought it was a cottage so I christened the print ‘Rustic Cottage’. After framing it is blindingly obvious that it is a garage, even the rusty signs are for car related things! So the first one sold is called ‘Rustic Cottage’ and the rest will be ‘Rusty Garage’! I printed this on the heavyweight William Turner paper. It looks incredible with all the ramshackle things strewn about! The framer pulled out a lovely ‘rustic’ wood that complements the picture.
Old Workshop - Julian Sansum
Year: 2025 Medium: Archival Giclee Print Size: 49.4cm x 70.1cm This Print and this Certificate are each certified through a hologram carrying a unique number. This Archival Giclee Print is part of a limited edition of 25 prints plus one artist’s proof all signed by the artist. The artist reserves the right to use the image in other forms and other forms of media, including but not limited to online, competitions and books of collections. Released in 2025 on Hahnemuhle William Turner 310 gsm paper. Printed using pigment ink from Canon on a Canon printer. In the artists words: We came across this wonderful old wooden building very close to the Hoover Dam. It has been preserved by a local business and as we were there super early for the sun rise no one else was there. I realised there was an opportunity for a sunburst here. There are tiny holes between the planks and I just had to position the camera in the right place. I was close to the building so I could track the star by shuffling my position. I had a little bit of freedom to position myself so I used my 50 mm 1.2 GM lens which creates the best sun stars of any of my lenses. This is printed on William Turner heavyweight Hahnemuhle paper. It gives and incredible antique feel. The framer complimented this by adding a lovely textured wooden frame.
Grand Canyon - Julian Sansum
Year: 2025 Medium: Archival Giclee Print Size: 49.4cm x 70.1cm This Print and this Certificate are each certified through a hologram carrying a unique number. This Archival Giclee Print is part of a limited edition of 25 prints plus one artist’s proof all signed by the artist. The artist reserves the right to use the image in other forms and other forms of media, including but not limited to online, competitions and books of collections. Released in 2025 on Hahnemuhle FineArt Baryta Satin 300 gsm paper. Printed using pigment ink from Canon on a Canon printer. In the artists words: I took this photo from Yavapi Point and think it shows the true splendour of the route down from the north rim to Phantom Ranch, which is the green spot with huts you an see in the lower middle of the photo. There had been a snow storm all the way up from Williams / Flagstaff and I think that helped to dampen down some of the dust you would normally expect to see in the air. Many people said that you can’t see clearly very far in the Grand Canyon because of the dust but in this picture the cliffs you can see at the back are at least 20 km from where I was standing. Phantom Ranch is at least 5 km away and about 5,000 feet below where I’m stood.
The Monument Valley - Julian Sansum
Year: 2025 Medium: Archival Giclee Print Size: 120cm x 30cm This Print and this Certificate are each certified through a hologram carrying a unique number. This Archival Giclee Print is part of a limited edition of 25 120cm x 30cm prints plus one artist’s proof all signed by the artist. The artist reserves the right to use the image in other forms and other forms of media, including but not limited to online, competitions and books of collections. Released in 2025 on Hahnemuhle PhotoRag 308 gsm paper. Printed using pigment ink from Canon on a Canon printer. In the artists words: Monument Valley is in the heart of the Navajo Nation on the border of Utah and Arizona. It consists of countless fabulous butte formations and has been used in Western movies many times. This photo represents a classic formation and consists of multiple panels stitched together. The final .tif file is over 1 gigabyte in size! I took this photo soon after the Sunrise at the Totem Pole and it suffered from the same sandblasting of my lens so I spent hours fixing it! What a joy… I created this antique look by first converting the image to black and white in Lightroom, exporting it as a .tif file and then doing it again. It creates a look of a photo that could have been taken years ago.
Shiprock at Dawn, New Mexico - Julian Sansum
Year: 2025 Medium: Archival Giclee Print Size: 114cm x 57cm This Print and this Certificate are each certified through a hologram carrying a unique number. This Archival Giclee Print is part of a limited edition of 25 114 cm x 57 cm prints plus one artist’s proof all signed by the artist. The artist reserves the right to use the image in other forms and other forms of media, including but not limited to online, competitions and books of collections. Released in 2025 on Hahnemuhle FineArt Baryta Satin 300 paper. Printed using pigment ink from Canon on a Canon printer. In the artists words: The mighty Shiprock or ‘rock with wings’ is extremely important to the Navajo Nation and is the most prominent landmark in northwestern New Mexico. It is also frequent photographed and typically has wonderful clear skies around it. The advantage of getting out of bed super early means you can see the rock before dawn and wait a while just in case something interesting happens. I claimed a spot well away from the main tourist area because I thought I could bring the left most ridge line in to make a more interesting picture. I then noticed the sky was starting to develop some interesting colours as the sideways light of the very early morning sun interacted with the clouds. I started firing off photos. I focused at multiple different points and tried out lots of camera settings, all with a window of a couple of minutes before the sun rose high enough to stop creating the colours. You have only a couple of minutes, sometimes less, to get the perfect picture. Back home I merged several of the photos and that helped to create a brighter image. I then tested various papers until I got the result I was looking for. The purple frame just adds to the effect.
180 Degree off Shiprock, New Mexico - Julian Sansum
Year: 2025 Medium: Archival Giclee Print Size: 114cm x 57cm This Print and this Certificate are each certified through a hologram carrying a unique number. This Archival Giclee Print is part of a limited edition of 25 114 cm x 57 cm prints plus one artist’s proof all signed by the artist. The artist reserves the right to use the image in other forms and other forms of media, including but not limited to online, competitions and books of collections. Released in April 2025 on Hahnemuhle PhotoRag 308 gsm paper. Printed using pigment ink from Canon on a Canon printer. In the artists words: What happens when you turn around and face away from a famous photo site… well sometimes you find something very interesting! Shiprock is a frequently photographed site (see separate entry later) and I didn’t want to get a just OK photo like everyone else has taken. So I turned around 180 degrees and was met with this incredible view back across the landscape from the spine on the right that forms the beginnings of the ridge that leads to Shiprock to the rock formations in the far distance that look like boats sailing across the New Mexico landscape. In black and white the grain of the terrain springs out and forms a pleasing pattern falling off from right to left.
