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Sam Collins

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Balancing the Dream - Sam Collins

Balancing the Dream - Sam Collins

Medium: Acrylics and masonry brush painted on plywoodDimensions: 35” x 48” Description: Suspended between grayscale and colour, Balancing the Dream captures the delicate harmony between innocence and imagination. A child rendered in monochrome, pure and introspective, gently clings to a vividly painted flamingo—an embodiment of nature, wonder, and surreal escape. The visual contrast speaks to the way children straddle both the real and the imagined, grounding themselves in dreams while exploring the unknown. Subtle drips of paint and orbiting colour spheres allude to collapsing possibilities—like particles observed into being. The scene becomes a quiet metaphor for quantum perception: where parallel realities, memory, and imagination blur into one. In this moment, the child might be both dreaming and awake, balanced on the threshold of multiple worlds. Balancing the Dream invites viewers to recall their own inner child—the one who instinctively trusted the surreal, who lived in quantum uncertainty without fear, and who found balance in the beautifully improbable. Collection Overview In this collection, Sam Art weaves a visual language of wonder, tension, and quiet rebellion—where children perch on flamingos, snails bear the burden of paradox, and sunflowers dare to breach their borders. At first glance, these works are playful, almost dreamlike. But look again, and you’ll find something deeper humming beneath the surface: a meditation on perception, duality, and the fragile nature of peace—both personal and collective.The theme that binds these works is the space between—between conflict and calm, reality and imagination, observation and existence. Through recurring contrasts of monochrome and vivid colour, structured boundaries and organic escape, each painting explores how reality is shaped not just by what is, but by how we see. This idea, borrowed from quantum physics, becomes a metaphor for emotional truth: that peace, hope, and even identity are not fixed destinations, but shimmering possibilities, waiting to collapse into form through attention and intention.  “Wishful Peaceful” and “A Recipe for Peace” ground the series in emotional and geopolitical reality. They acknowledge the weight of conflict, yet suggest that peace is a particle of potential—a fleeting moment that must be chosen again and again.  “Balancing the Dream” and “Probability Cloud” lift the viewer into a more surreal dimension, where childhood becomes the observer that determines reality. These paintings don’t just represent innocence—they reframe it as a powerful, quantum force capable of creating worlds.  “When the Frame Forgot to Hold Us” completes the arc with a subtle rebellion against limitation itself. It questions the very nature of framing—of categorizing, labeling, containing. Here, life pushes out of bounds, not in violence, but in joy. Together, these works suggest that peace is not just a political ideal, but a perceptual one. That imagination is not the opposite of reality, but a tool for reshaping it. And that within each of us lives a kind of observer—quiet, curious, and capable of collapsing the infinite into something beautifully real.

£1,500.00
£1,500.00
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Probability Cloud - Sam Collins

Probability Cloud - Sam Collins

Medium: Acrylics and masonry brush painted on canvasDimensions: 48” x 36” Description: A little explorer sits high on a mushroom throne, somewhere between a bedtime story and a daydream. Painted in soft grayscale, the child leans into the unknown—wide-eyed, windswept, and full of quiet wonder. The toadstool beneath her glows with candyfloss colors, dripping slightly at the edges, as if it’s melting out of a parallel tale. Around her, tiny planets—or perhaps thoughts—float like bubbles through blank space. Nothing is fixed. Everything is possible. Probability Cloud is a visual lullaby where magic and science share a secret language. It borrows its name from quantum physics, where particles don’t exist in one place until someone looks. Like the child, reality is perched—mid-leap, mid-thought, mid-dream—waiting to be named. It’s a celebration of curiosity, that first spark of “what if?” that children know so well—and adults often forget. A quiet reminder: the world becomes real when you believe in it. Collection Overview In this collection, Sam Art weaves a visual language of wonder, tension, and quiet rebellion—where children perch on flamingos, snails bear the burden of paradox, and sunflowers dare to breach their borders. At first glance, these works are playful, almost dreamlike. But look again, and you’ll find something deeper humming beneath the surface: a meditation on perception, duality, and the fragile nature of peace—both personal and collective.The theme that binds these works is the space between—between conflict and calm, reality and imagination, observation and existence. Through recurring contrasts of monochrome and vivid colour, structured boundaries and organic escape, each painting explores how reality is shaped not just by what is, but by how we see. This idea, borrowed from quantum physics, becomes a metaphor for emotional truth: that peace, hope, and even identity are not fixed destinations, but shimmering possibilities, waiting to collapse into form through attention and intention.  “Wishful Peaceful” and “A Recipe for Peace” ground the series in emotional and geopolitical reality. They acknowledge the weight of conflict, yet suggest that peace is a particle of potential—a fleeting moment that must be chosen again and again.  “Balancing the Dream” and “Probability Cloud” lift the viewer into a more surreal dimension, where childhood becomes the observer that determines reality. These paintings don’t just represent innocence—they reframe it as a powerful, quantum force capable of creating worlds.  “When the Frame Forgot to Hold Us” completes the arc with a subtle rebellion against limitation itself. It questions the very nature of framing—of categorizing, labeling, containing. Here, life pushes out of bounds, not in violence, but in joy. Together, these works suggest that peace is not just a political ideal, but a perceptual one. That imagination is not the opposite of reality, but a tool for reshaping it. And that within each of us lives a kind of observer—quiet, curious, and capable of collapsing the infinite into something beautifully real.

£1,950.00
£1,950.00
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When the Frame Forgot to Hold Us - Sam Collins

When the Frame Forgot to Hold Us - Sam Collins

Medium: Acrylics and masonry brush painted on plywoodDimensions: 75” x 48” Description: A kingfisher caught mid-flight and sunflowers in bloom push against the edges of a painted frame—softly dripping, softly defiant. The scene within appears contained, yet life refuses to be boxed in. The black border tries to set limits, but nature, like thought or wonder, doesn’t obey. Paint slips outside the lines, breaking the fourth wall not with chaos, but with gentle rebellion. When the Frame Forgot to Hold Us is a playful meditation on freedom, perception, and emergence. The flowers lean beyond their confines, the bird launches outward—and together they suggest that the world isn’t neatly separated into inside and outside. Much like a quantum field, what’s possible isn’t confined to one dimension. It’s a piece about transcending borders, soft awakenings, and the beautiful mess of being too alive to stay within the lines. Collection Overview In this collection, Sam Art weaves a visual language of wonder, tension, and quiet rebellion—where children perch on flamingos, snails bear the burden of paradox, and sunflowers dare to breach their borders. At first glance, these works are playful, almost dreamlike. But look again, and you’ll find something deeper humming beneath the surface: a meditation on perception, duality, and the fragile nature of peace—both personal and collective.The theme that binds these works is the space between—between conflict and calm, reality and imagination, observation and existence. Through recurring contrasts of monochrome and vivid colour, structured boundaries and organic escape, each painting explores how reality is shaped not just by what is, but by how we see. This idea, borrowed from quantum physics, becomes a metaphor for emotional truth: that peace, hope, and even identity are not fixed destinations, but shimmering possibilities, waiting to collapse into form through attention and intention.  “Wishful Peaceful” and “A Recipe for Peace” ground the series in emotional and geopolitical reality. They acknowledge the weight of conflict, yet suggest that peace is a particle of potential—a fleeting moment that must be chosen again and again.  “Balancing the Dream” and “Probability Cloud” lift the viewer into a more surreal dimension, where childhood becomes the observer that determines reality. These paintings don’t just represent innocence—they reframe it as a powerful, quantum force capable of creating worlds.  “When the Frame Forgot to Hold Us” completes the arc with a subtle rebellion against limitation itself. It questions the very nature of framing—of categorizing, labeling, containing. Here, life pushes out of bounds, not in violence, but in joy. Together, these works suggest that peace is not just a political ideal, but a perceptual one. That imagination is not the opposite of reality, but a tool for reshaping it. And that within each of us lives a kind of observer—quiet, curious, and capable of collapsing the infinite into something beautifully real.

£1,600.00
£1,600.00
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Wishful Peaceful - Sam Collins

Wishful Peaceful - Sam Collins

Medium: Acrylic and masonry brush painted on canvasDimensions: 59” x 39” The young girl, with her gentle focus on the dandelion, becomes a symbol of quiet resilience. Her wish, unspoken yet deeply felt, carries the weight of something greater than herself—a hope for peace in times of war. The use of masonry and acrylic paint enhances this theme. The masonry paint, with its solidity and permanence, reflects the harsh, unyielding nature of conflict, while the acrylic brushstrokes introduce movement, like the fleeting but persistent nature of hope.The black drips in the upper left suggest a world that is not whole, one that is unravelling or in transition. The birds, small yet determined, take flight toward an uncertain future, mirroring the wish carried by the dandelion’s seeds—scattered to the wind, seeking a place to take root.Like the quantum world, where particles exist in multiple states until observed, peace feels like a possibility that flickers in and out of reach. It is not guaranteed, not fixed, but it exists in the space between destruction and renewal, waiting for the right conditions to become reality.At its core, Wishful Peaceful is both a reflection and a quiet plea: that even in the midst of war, the smallest wish for peace has the power to ripple outward, shaping the world in ways unseen. Collection Overview  In this collection, Sam Art weaves a visual language of wonder, tension, and quiet rebellion—where children perch on flamingos, snails bear the burden of paradox, and sunflowers dare to breach their borders. At first glance, these works are playful, almost dreamlike. But look again, and you’ll find something deeper humming beneath the surface: a meditation on perception, duality, and the fragile nature of peace—both personal and collective.The theme that binds these works is the space between—between conflict and calm, reality and imagination, observation and existence. Through recurring contrasts of monochrome and vivid colour, structured boundaries and organic escape, each painting explores how reality is shaped not just by what is, but by how we see. This idea, borrowed from quantum physics, becomes a metaphor for emotional truth: that peace, hope, and even identity are not fixed destinations, but shimmering possibilities, waiting to collapse into form through attention and intention.  “Wishful Peaceful” and “A Recipe for Peace” ground the series in emotional and geopolitical reality. They acknowledge the weight of conflict, yet suggest that peace is a particle of potential—a fleeting moment that must be chosen again and again.  “Balancing the Dream” and “Probability Cloud” lift the viewer into a more surreal dimension, where childhood becomes the observer that determines reality. These paintings don’t just represent innocence—they reframe it as a powerful, quantum force capable of creating worlds.  “When the Frame Forgot to Hold Us” completes the arc with a subtle rebellion against limitation itself. It questions the very nature of framing—of categorizing, labeling, containing. Here, life pushes out of bounds, not in violence, but in joy. Together, these works suggest that peace is not just a political ideal, but a perceptual one. That imagination is not the opposite of reality, but a tool for reshaping it. And that within each of us lives a kind of observer—quiet, curious, and capable of collapsing the infinite into something beautifully real.

£2,450.00
£2,450.00
View product

Sam Collins Gallery